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Meet the Team: Christine Weber Rivera

By Staff

Meet Christine Weber Rivera, our Programs & Events Manager

Christine Weber Rivera joined the Pittsburgh Arts & Lectures team last fall and is excited to have stepped into the role of Programs & Events Manager this summer. In addition to running and coordinating the Authors to Schools program, she co-manages the website and is the one in charge of coordinating with our incredible guests and their teams to ensure they enjoy their time in Pittsburgh as much as we love having them here!

What did you do before you joined Pittsburgh Arts & Lectures?

I’ve spent most of my life as a professional actor, traveling and working in theaters around the United States. My husband and I both lived the nomadic life together for many years, going from gig to gig, contract to contract, until we decided to start a family. We had our two amazing children, and while we continue to perform on stage or screen whenever we can, my husband was offered a job teaching at one of the universities here in Pittsburgh, so we jumped on the opportunity and moved here. Within a couple of years I decided it was time to go back to school, so I went to Carnegie Mellon University – Heinz College of Information Systems and Public Policy, and just graduated with my Master of Arts Management degree in May!

What drew you to work with PA&L?

Growing up in Minnesota, one of my dearest friends (I refer to her as my second mother, actually!) would take me to author lectures when I was growing up. I got to see great authors like Armistead Maupin and Carlos Ruiz Zafón speak when I was just a teenager, and they were formative experiences for me. As an actor, I’ve always understood how scripts are written–but novels and short stories seemed like an entirely different and unattainable world. To see these authors and hear them–their voices, their dialects, their cadences–brought a whole new level of love for their work and a deeper appreciation for the magic of writing.

When I learned that Pittsburgh Arts & Lectures exists, I jumped at the chance to get involved. The mission of PA&L resonates deeply with me, and I am still blown away that I get to interact with the humans behind these works of art. Being a champion for freedom of expression, the written word, and storytelling as a form of connection–you can’t ask for a better job.

What do you hope to accomplish in your role?

I can’t wait to enhance our incredible Authors to Schools program, and am looking to build out ways that students from different schools can not only interact with renowned authors, but also with each other. I believe that offering children/students opportunities to explore their creativity and find their own voices is at the heart of childhood, and being a resource for educators in our area is a point of pride I can’t quite express adequately.

It’s also important to me that I reach new communities in Pittsburgh through our outreach efforts, and offer a collaborative platform for the countless non-profit organizations that make this city so vibrant, welcoming, and unique. Our audiences deserve the best experiences with the authors that join us, and our authors deserve the best of Pittsburgh as well. It’s exciting to be an ambassador for this city.

Tell us a bit about you–what are some of your favorite pastimes?

Honestly, I like a little bit of just about everything! I love traveling, listening to new music, I always have a book with me in my bag, and am equally as happy to watch a baseball game or the ballet. These days, you’ll find me writing, reading, learning French, being a Girl Scout mom, a tee ball coach, baking, doing crossword puzzles, gardening, performing, and producing short films. I like to keep busy!

The golden question: if you were stranded on a desert island and could only have three books, which would you bring?

Charlotte’s Web, The Shadow of the Wind, and probably a book of short stories by Salinger or Saroyan.

What are you currently reading?

Piglet by Lottie HazellPurple Hibiscus by Chimamanda Ngozi Adichie, and finally started Intermezzo by Sally Rooney!

From Storybook to Screen: 10 Magical Adaptations of Classic Children’s Books

By Media

The Alchemy of Adaptation

The marriage between literature and film has produced some of cinema’s most enduring masterpieces. While countless novels have made the journey from page to screen, only a select few have achieved that rare alchemy where the adaptation not only honors its source material but transcends it to become something uniquely cinematic. In this new series on our blog, The Alchemy of Adaptation, we will explore literature adaptations that didn’t just succeed—they redefined what it means to bring a beloved book to life on screen.


CLASSIC CHILDREN’S BOOKS ADAPTATIONS

There’s something uniquely challenging about adapting beloved children’s literature for the screen. These stories must navigate the delicate balance between honoring the innocence and wonder that captivated young readers while creating films sophisticated enough to enchant audiences of all ages. The best adaptations of children’s classics don’t just translate familiar stories; they preserve the magic that made us fall in love with reading in the first place.

Let’s explore ten remarkable adaptations that successfully brought childhood’s most treasured tales from page to screen, creating new generations of fans along the way.

1. The Secret Garden (1993)

Frances Hodgson Burnett’s 1911 novel about healing, friendship, and the transformative power of nature found its definitive screen adaptation in Agnieszka Holland’s 1993 film. The story of Mary Lennox, a spoiled girl who discovers a hidden garden and learns to care for something beyond herself, required a director who understood both the story’s emotional depth and its connection to the natural world.

Holland’s adaptation succeeds by treating the garden itself as a character. The film’s visual transformation from the grey, austere Misselthwaite Manor to the explosion of color when the garden blooms mirrors Mary’s own emotional journey. Kate Maberly’s performance as Mary captures the character’s evolution from a bitter, lonely child to someone capable of empathy and love.

Maggie Smith’s portrayal of the stern housekeeper Mrs. Medlock adds gravitas to the proceedings, while the film’s exploration of trauma and healing resonates with adult audiences. The adaptation works because it doesn’t shy away from the novel’s themes of loss and recovery, recognizing that children’s literature often explores profound emotional truths.

Honorable mention: It should also be said that the 1987 film adaptation is wonderful as well and happens to be the adaptation I grew up watching.  It features the legendary Derek Jacobi, a beyond-intimidating Billie Whitelaw as Mrs. Medlock, and a beautiful young Colin Firth as adult Colin. While some women were introduced to Colin Firth as he walked out of the water in Pride and Prejudice, I was equally smitten when I saw him—a uniform-clad young man who returns to their garden to find his love. Be still my beating 7-year-old heart.

2. Anne of Green Gables (1985)

Some adaptations become so definitive that they’re inseparable from the source material. Kevin Sullivan’s 1985 adaptation of L.M. Montgomery’s beloved novel achieved this rare status, with Megan Follows’ portrayal of Anne Shirley becoming the character for millions of viewers worldwide.

This Canadian production understood that Anne’s appeal lies in her irrepressible spirit and her ability to find beauty and adventure in everyday life. Follows captures Anne’s dramatic tendencies and her gift for storytelling, while Colleen Dewhurst and Richard Farnsworth bring depth and warmth to Marilla and Matthew Cuthbert.

The bucolic Prince Edward Island setting becomes a character itself, with the production taking full advantage of the island’s natural beauty to create Anne’s world. The film adheres to the novel’s episodic structure while crafting a cohesive and compelling narrative arc that follows Anne’s transformation from an unwanted orphan to a beloved daughter.

What makes this adaptation extraordinary is its understanding that Montgomery’s story is fundamentally about the power of imagination and the importance of finding where you belong. The film captures both Anne’s vulnerability and her strength, creating a character who feels both timeless and immediate.

3. Little Women (1994 & 2019)

Louisa May Alcott’s 1868 novel has been adapted numerous times, but Gillian Armstrong’s 1994 version struck a delicate balance between period authenticity and contemporary relevance. With Winona Ryder as the ambitious Jo March, the film captures the novel’s exploration of women’s roles and artistic ambition.

Armstrong’s direction emphasizes the novel’s themes of family loyalty, personal growth, and the tension between duty and desire. The film’s Civil War setting provides historical weight without overwhelming the intimate family story. The adaptation succeeds by understanding that Alcott’s novel is both a coming-of-age story and a meditation on what it means to be a woman with ambitions in a restrictive society.

Another incredible adaptation was written and directed by Greta Gerwig, featuring a heavy-hitting cast and a lush, vibrant visual scheme. Gerwig does not shy away from the busting-at-the-seams energy that many young people feel when ambition, capability, and imperfect humanity push up against the constraints of the world around them. An almost-muscular and visceral energy thrums throughout the film, leaving as much of a lasting impression on today’s audience as the book has on readers for generations.

4. A Little Princess (1995)

Alfonso Cuarón’s adaptation of Frances Hodgson Burnett’s 1905 novel demonstrates how a skilled director can bring fresh vision to familiar material. The story of Sara Crewe, a wealthy girl who must adapt to poverty and hardship, becomes a meditation on storytelling, resilience, and the power of imagination.

Cuarón’s visual style blends realism with fairy tale elements, using Sara’s storytelling abilities to create magical sequences that feel both fantastical and emotionally authentic. A young Liesel Matthews delivers a remarkable performance as Sara, capturing both her privileged innocence and her inner strength.

The film’s boarding school setting becomes a microcosm of society, with clear divisions between the wealthy and the poor. The adaptation works because it takes Sara’s belief in magic seriously while grounding the story in genuine emotion and character development. Cuarón understands that the “magic” in Sara’s stories reflects real human resilience and compassion.

5. Charlotte’s Web (1973)

E.B. White’s 1952 novel about friendship between a pig and a spider could have easily become overly sentimental, but the 1973 animated adaptation directed by Charles A. Nichols and Iwao Takamoto captures the story’s gentle wisdom and emotional depth.

Debbie Reynolds’s voice work as Charlotte brings warmth and intelligence to the character, while the film’s simple animation style serves the story’s pastoral setting. The adaptation doesn’t shy away from the novel’s themes of mortality and the cycle of life, making Charlotte’s death genuinely moving rather than manipulative.

The film succeeds by maintaining White’s tone—warm but not saccharine, simple but not simplistic. It understands that children can handle complex emotions and profound themes when they’re presented with honesty and care.

6. Where the Red Fern Grows (1974)

Wilson Rawls’s 1961 novel about a boy and his hunting dogs required an adaptation that could capture both the adventure and the emotional weight of the story. Norman Tokar’s 1974 film succeeds by taking the story’s rural setting and hunting culture seriously while focusing on the bond between Billy and his dogs.

The cinematography brings the Ozark Mountains to life, creating a rich sense of place that’s essential to the story. The film doesn’t sentimentalize the relationship between boy and dogs—it shows the hard work, dedication, and genuine love that creates such bonds.

The film’s climax, involving the dogs’ fate, is handled with the same emotional honesty as the novel, creating a powerful statement about loyalty, sacrifice, and the pain of growing up. (Author’s Note: I remember reading this book in elementary school and absolutely weeping after Old Dan dies…a formative reading experience, to say the least!)

7. The Black Stallion (1979)

Walter Farley’s 1941 novel about a boy and a wild horse became a cinematic masterpiece in the hands of director Carroll Ballard. The film’s minimal dialogue and stunning cinematography create a meditative experience that captures the primal connection between human and horse.

The film’s first half follows Alec and the stallion’s survival on a desert island, unfolding with almost documentary-like realism. Mickey Rooney’s performance as the old trainer adds depth to the story’s second half, while Kelly Reno’s natural performance as Alec creates a believable young protagonist.

This adaptation succeeds because it inherently understands that Farley’s story is fundamentally about the mysterious bond between humans and animals, playing with a kind of visual poetry to serve this emotionally powerful theme.

8. The NeverEnding Story (1984)

Michael Ende’s 1979 novel about a boy who becomes part of the story he’s reading presented unique challenges for adaptation. Wolfgang Petersen’s film creates a compelling fantasy world while maintaining the story’s meta-fictional elements about the power of storytelling and imagination.

The film’s practical effects and creature design create a world that feels both alien and familiar. The story-within-a-story structure allows the film to explore themes about the importance of stories and imagination in our lives.

This adaptation works so well because it takes both the fantasy elements and the real-world frame story seriously, showing how stories can literally save lives, be they fictional or real.

9. Matilda (1996)

Roald Dahl’s 1988 novel about a gifted girl with telekinetic powers found perfect expression in Danny DeVito’s 1996 adaptation. The film captures Dahl’s subversive humor and his sympathy for children who must deal with awful adults.

Mara Wilson’s performance as Matilda creates a character who’s both incredibly intelligent and genuinely childlike. The film’s exaggerated visual style aligns with Dahl’s storytelling approach, while the telekinetic elements support the story’s themes of standing up to bullies and fighting for what is right.

The adaptation succeeds by maintaining Dahl’s anarchic spirit while creating genuine moments of warmth and connection, particularly in Matilda’s relationship with Miss Honey.

10. Paddington (2014 & 2017)

Michael Bond’s beloved bear from darkest Peru made his cinematic debut in Paddington (2014), directed by Paul King, with a sequel that many consider one of the rare examples of a follow-up surpassing the original. Both films pull off the miraculous feat of updating Paddington’s old-fashioned charm without losing an ounce of sincerity or warmth.

Voiced with gentle wit by Ben Whishaw, Paddington becomes an emblem of kindness, curiosity, and immigrant resilience. The films’ whimsical visual style, clever physical comedy, and meticulously crafted sets echo the storybook aesthetic while offering sharp commentary on belonging and community.

Crucially, the Paddington films never mock their source material—they elevate it. They understand that honoring a children’s classic means embracing earnestness in a world often allergic to it. In doing so, they remind audiences—young and old—that politeness, marmalade, and a well-meaning heart can go a long way.

The Enduring Magic of Childhood Stories

Children’s literature offers some of the richest material for filmmakers willing to take young audiences seriously. The best adaptations understand that children’s stories often deal with profound themes—loss, growth, courage, friendship, and the power of imagination—and that young viewers are capable of engaging with complex emotions and ideas. They don’t talk down to children or oversimplify themes. Instead, they create cinematic experiences that capture the wonder and wisdom that make children’s literature so enduring, proving that children’s stories are really stories for everyone.

These films don’t just adapt beloved books; they preserve the magic of childhood reading while creating new magic for the screen. They remind us why we fell in love with stories in the first place and ensure that future generations will continue to discover the transformative power of great storytelling, whether on the page or on the screen.

Written by Christine Weber Rivera

Meet the Team: Charlie Legere

By Staff

Meet Charlie Legere, our Development Manager

If you’ve been with us this past season, you may have noticed a slew of new faces joining our team at Pittsburgh Arts & Lectures! This summer, we are so excited to introduce you to each of our new staff members in a series called “Meet the Team”, starting with Charlie Legere.

Charlie is our fantastic new Development Manager, leading the charge on everything from grants to sponsorships to donations from patrons like you. You’ve seen him around at our events, but let’s get to know him a bit better, shall we?

Can you tell us a bit more about your career prior to joining Pittsburgh Arts & Lectures?

I have a PhD in English from Berkeley and was training to be an academic, then I moved to Pittsburgh for a Postdoc, and loved it here. I decided that my desire for living in a place I wanted to live outweighed my desire to work in academia, and I shifted careers. As a grant writer and then fundraiser, I worked at Carnegie Museums, Riverlife, and then as a freelancer. One rewarding project I got to work on was a successful $40m grant proposal to preserve historic Black churches, with the African American Cultural Heritage Action Fund.

What drew you to work with PA&L?

I’ve raised funds for art exhibitions, science, environmental causes, historic preservation, accessibility, capital projects—a lot of projects that have been rewarding because I’ve gotten to dig deep into a topic, then make a vision into reality. However, I ran a poetry reading series at Berkeley, and I write, and I always wanted to be able to use my skills to do something with literature. That’s what attracted me to Pittsburgh Arts & Lectures!

Do you have a wish list of what you hope to accomplish in this role with us?

Pittsburgh Arts & Lectures has a base of subscribers, some of whom have been attending our events for decades, and a culture of engagement with books and ideas that’s grown from that. Our audience and community are extraordinary. In my role I want to assure its continuity, and expand it to new audiences.

Tell us a bit about you–what are some of your favorite pastimes?

I walk, birdwatch, forage, and identify wildflowers. I’m translating a book of poems for children by a French poet named Jacques Roubaud, and I write poetry. From March until October, I listen to the radio broadcast of every Red Sox game.

And, I’d be remiss if I didn’t ask: if you were stranded on a desert island and could only have three books, which would you bring?

Moby Dick, Robinson Crusoe, Wallace Stevens’ poems. All topical!

What are you currently reading?

I was reading the Slovenian poet Tomaž Šalamun’s poems one night, and the next day, I had this uncanny moment… I was parking my car and the car parked in front of me had a bumper sticker that said: “TOMAŽ ŠALAMUN.”

A New Face at PA&L!

By Staff

Meet Devan Murphy, our Patron Experience Associate

The team at Pittsburgh Arts & Lectures is excited to introduce you to our new staff member, Devan Murphy. Devan will be the friendly face at our events working the Box Office and the voice you’ll hear on the phone. Devan will also work with our digital communication through our email marketing and social media.

Tell us about your career so far.

I am a creative writer and illustrator from Northeast Ohio. I received my BA in English from the University of Akron and my MA in English Literature from Ohio University, where I also taught undergraduate English composition and literature for four years before coming to Pittsburgh in 2018.

Prior to joining the team at Pittsburgh Arts & Lectures, I worked as a gallery attendant at the Wood Street Galleries downtown, as a cashier at Amazing Books & Records in Squirrel Hill, and, most recently, as a staff writer and editor for wikiHow. I also do occasional freelance copyediting and volunteer work for Autumn House Press, whose books I’m a huge fan of.

Most of my spare time is spent writing and making art myself; my visual art has been shown in galleries throughout the Pittsburgh region, and my chapbook, I’m not I’m not I’m not a baby, a collection of prose poems, short memoir, and abstract comics, is forthcoming from Ethel Press.

What has attracted you to PA&L?

My love for Pittsburgh Arts & Lectures began soon after I arrived in Pittsburgh, when I saw Ilya Kaminsky read at the Carnegie Library. It was one of the first literary events I attended in Pittsburgh, and after that I just wanted to be as immersed as I could in this city’s vibrant arts and literary scenes. I try to go to readings and lectures—with PA&L and at Pittsburgh’s many other literary venues—as often as I can, and I’ve met so many amazing people through these events. I’ve long admired everything PA&L does for the literary community and the community generally, and it’s the type of work I want to be involved in myself.

What are some of your aspirations for this role?

As Patron Experience Associate, I can’t wait to get to know PA&L’s many fans—both the audience members who have been here for years and, hopefully, many new fans as well—and to help create a welcoming environment where we can all enjoy and learn from PA&L’s amazing authors and lecturers. I’m excited to help the team find new ways to expand our audience and further the organization’s mission of facilitating literary engagement and civic discourse in the Pittsburgh community.

What are some of your pastimes?

I spend a lot of time reading, of course, as well as writing and drawing: I’m currently working on a book of illustrated fairytales and a collection of self-erasure poems. Beyond that, I love going to the movies (especially the Manor in Squirrel Hill) and playing with my cat, Buddy.

Welcoming Sony Ton-Aime

By News

Photo credit Dave Munch

Dear friends,

We are thrilled to announce the appointment of Sony Ton-Aime as the new Executive Director of Pittsburgh Arts & Lectures. This announcement concludes an extensive national search process led by our board to find the ideal candidate to lead our organization into the future.

In his most recent role as Michael I. Rudell Director of Literary Arts at Chautauqua Institution, Sony has spearheaded innovative programming and built partnerships to engage the community. He coordinates online and in-person lectures and workshops, supervises staff, and runs a poetry makerspace and bookstore that serve over 100,000 community members annually.

Sony has demonstrated skill in collaboration and relationship building, forging partnerships with organizations like the African American Heritage House to launch the Mirror Project Reading Circle, monthly book discussion that has since evolved to include lectures by experts and a countywide book read. Sony worked with Jamestown High School to lead student writing workshops, and he partnered with the local radio station to broadcast the writing of their students.

Through collaboration within Chautauqua, Sony has brought acclaimed authors like Matthew Desmond and Elizabeth Kolbert to speak in the 4,000-seat Amphitheater. In response to the perceived deterioration of civil discourse in our country, Sony brought together literary organizations to pilot the Forum on Democracy at Chautauqua Institution, with a lineup of speakers that includes Sayu Bhojwani, David Blight, Suzanne Nossel, and Michael Waldman.

The board of Pittsburgh Arts & Lectures comments, “We welcome Sony with enthusiasm and are eager for him to join as the next Executive Director, building on his experience from Chautauqua. We know he will continue the strong legacy of Pittsburgh Arts and Lectures and be a great ambassador for literature, artists, and the City of Pittsburgh.”

Sony remarks, “the staff, led by my remarkable predecessor, Stephanie Flom, has done an amazing job to bring Pittsburgh Arts & Lectures to where it is now, and I feel lucky to be part of this legacy. I feel lucky for two reasons—first, as Executive Director I am presented with a firm foundation to build on, and second, because the city of Pittsburgh has the best and most serious readers.

“I look forward to facilitating the deep connections that authors and readers seek out when they write and read books. Our goal will be to engage our community in meaningful and critical conversations that, in time, will lead to real changes for the betterment of our city and country. Together, we will foster a place where our community can feel a deep sense of ownership and confidence in their engagement with our programs.”

Please join us in warmly welcoming Sony Ton-Aime to Pittsburgh Arts & Lectures! His start date is Monday, October 2. Sony will greet Ten Evenings subscribers from the stage of the Carnegie Library Lecture Hall at our lecture with Matthew Desmond. We hope to see you at a lecture soon.

Sincerely,

Pittsburgh Arts & Lectures Board and Staff

Executive Director Stephanie Flom Announces Retirement

By News

Dear Pittsburgh Arts and Lectures Community,

Stephanie Flom, who joined the organization in May 2014, will pass the baton in June. She will see out the exciting programming that has defined the 2022-23 season and provide a smooth transition for the next executive director. The board congratulates Flom on her retirement from the organization and thanks her for her outstanding leadership over the past decade.

Reflecting upon her tenure, Flom says, “I’ve been able to bring my full self to this role — my passion for the arts, for the community, and for the values that now reside in the organization’s mission statement. My curatorial choices, and the culture that I’ve nurtured here, embody artistic excellence, justice, equity, courage and compassion.”

Board President Kevin Lavelle comments, “The board is proud of the success of the organization under Stephanie’s leadership, and thanks her for her tireless efforts to bring world-class thought leaders and artists to engage in discourse with our community. She led us to expect consistently full-to-capacity halls for our Ten Evenings series, robust community participation through the Authors to Schools program, and new and expanded program series. Through the pandemic, she led the staff to execute high-quality virtual programs, engaging our audience and securing important funding to ensure a strong foundation amidst turbulent times.” The organization now presents close to 40 public lectures each year, having grown to five signature series: Ten Evenings, New & Noted, Made Local, Words & Pictures, and Poets Aloud.


Driven by her passion to connect the community and the arts, Flom has formed meaningful partnerships with organizations whose missions reflect the theme of visiting authors’ works. These relationships have integrated the community in various forms that include co-presenters and sponsorships, school and community visits, and awareness campaigns for nonprofit partners. Flom notes, “I am especially moved when I learn from an audience member or an educational partner that a profound, life-changing impact has occurred upon hearing the words of an author at a lecture or during a school visit.” She is most proud that author visits to schools and to community groups have become a vital component of the organization’s work. Through the Authors to Schools program, thousands of students participate in visits each year, and more than 1,500 books are provided for students at participating Title 1 schools and community organizations.

A visionary leader, Flom built her career in roles and by achievements in many positions across the Pittsburgh arts community, each notable for their valuable partnerships. As the founding director of the Kelly Strayhorn Theater, she led the transformation of the long-vacant Regent Theater in East Liberty into a vibrant performing arts center. During her tenure as executive director of Dance Alloy, she relocated the contemporary dance company and community school to professional studios on Penn Avenue at the crossroads of Garfield and Friendship, again developing a community cultural asset while growing the company to six full-time dancers. Later, in her role as executive director of the Cooper-Siegel Community and Sharpsburg Community Libraries, Flom led efforts to build new state-of-the-art facilities that have a full range of library services. She was especially delighted to work with community partners to save the Sharpsburg Library from an impending closure. Flom was also a Fellow at Carnegie Mellon University’s prestigious Frank-Ratchye STUDIO for Creative Inquiry, where she developed the Persephone Project, an environmental art project that explored gardening as an everyday art form, recasting gardeners as artists. The project resulted in the commissioning of artists to create garden installations in Frank Curto Park on Bigelow Boulevard and neighborhoods throughout Pittsburgh.


As she shifts from her executive director role, Flom plans to engage in community projects related to the arts, the environment and social justice, and to spend time in her pottery studio, in her garden and with family and friends. Inspired by hearing hundreds of renowned authors speak about their creative process, she says, perhaps she will write.

“Stephanie has done an amazing job cultivating an unusually collaborative and positive staff and board culture,” Lavelle says. “We’re a dynamic team, and while she will be greatly missed, we look forward to a bright future, building on the momentum that Stephanie has helped create.” The board will undertake a national search for Flom’s replacement over the coming months.

Yours,

Pittsburgh Arts & Lectures Board and Staff

Grant from the National Endowment for the Arts

By News

Pittsburgh Arts & Lectures to Receive $10,000 Grant from the National Endowment for the Arts

Pittsburgh Arts & Lectures has been approved for a $10,000 Grant for Arts Projects award from the National Endowment for the Arts to support public lecture events and community engagement opportunities with critically acclaimed authors on our Ten Evenings mainstage series and our free Poets Aloud and Words & Pictures series. Pittsburgh Arts & Lectures is among 1,125 projects across America totaling more than $26.6 million that were selected during this second round of Grants for Arts Projects fiscal year 2022 funding.

“The National Endowment for the Arts is proud to support arts and cultural organizations throughout the nation with these grants, including Pittsburgh Arts & Lectures, providing opportunities for all of us to live artful lives,” said NEA Chair Maria Rosario Jackson, PhD. “The arts contribute to our individual well-being, the well-being of our communities, and to our local economies. The arts are also crucial to helping us make sense of our circumstances from different perspectives as we emerge from the pandemic and plan for a shared new normal informed by our examined experience.”

For more information on other projects included in the Arts Endowment grant announcement, visit arts.gov/news.
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Poetry Allowed

By Events

The Greater Pittsburgh Festival of Books presents Poetry Allowed

Join us for an all day live poetry reading event, sponsored by Pittsburgh Arts & Lectures.

Registration is free, stay all day or pop in the tent to listen to as many poets as you’d like!

Saturday, May 14, 2022
10:00 a.m. – 4:00 p.m.
Bakery Square, 6425 Penn Avenue, Pittsburgh, PA 15206

Poets include:

  • Daniel Borzutzky
  • Paola Corso
  • Veronica Corpuz
  • Toi Derricotte
  • Lynn Emanuel
  • Celeste Gainey
  • Bri Griffith
  • Karen Howard
  • Carly Inghram
  • Michelle Gil-Montero
  • Danielle Orbisie-Orlu
  • Bonita Lee Penn
  • Judith R. Robinson
  • Kayla Sargeson
  • Michael Simms
  • Cameron Barnett
  • Michael Wurster
  • Robert Walicki
  • Elizabeth Hoover
  • Madwomen in the Attic
  • Soledad Caballero
  • Angele Ellis
  • Don Wentworth
  • Lori Jakiela
  • Aurielle Marie

Find other events on the Greater Pittsburgh Festival of Books website featuring Billy Porter, beloved local authors, and more.