fbpx Skip to main content
All Posts By

PALadmin

Meet the Team: Christine Weber Rivera

By Staff

Meet Christine Weber Rivera, our Programs & Events Manager

Christine Weber Rivera joined the Pittsburgh Arts & Lectures team last fall and is excited to have stepped into the role of Programs & Events Manager this summer. In addition to running and coordinating the Authors to Schools program, she co-manages the website and is the one in charge of coordinating with our incredible guests and their teams to ensure they enjoy their time in Pittsburgh as much as we love having them here!

What did you do before you joined Pittsburgh Arts & Lectures?

I’ve spent most of my life as a professional actor, traveling and working in theaters around the United States. My husband and I both lived the nomadic life together for many years, going from gig to gig, contract to contract, until we decided to start a family. We had our two amazing children, and while we continue to perform on stage or screen whenever we can, my husband was offered a job teaching at one of the universities here in Pittsburgh, so we jumped on the opportunity and moved here. Within a couple of years I decided it was time to go back to school, so I went to Carnegie Mellon University – Heinz College of Information Systems and Public Policy, and just graduated with my Master of Arts Management degree in May!

What drew you to work with PA&L?

Growing up in Minnesota, one of my dearest friends (I refer to her as my second mother, actually!) would take me to author lectures when I was growing up. I got to see great authors like Armistead Maupin and Carlos Ruiz Zafón speak when I was just a teenager, and they were formative experiences for me. As an actor, I’ve always understood how scripts are written–but novels and short stories seemed like an entirely different and unattainable world. To see these authors and hear them–their voices, their dialects, their cadences–brought a whole new level of love for their work and a deeper appreciation for the magic of writing.

When I learned that Pittsburgh Arts & Lectures exists, I jumped at the chance to get involved. The mission of PA&L resonates deeply with me, and I am still blown away that I get to interact with the humans behind these works of art. Being a champion for freedom of expression, the written word, and storytelling as a form of connection–you can’t ask for a better job.

What do you hope to accomplish in your role?

I can’t wait to enhance our incredible Authors to Schools program, and am looking to build out ways that students from different schools can not only interact with renowned authors, but also with each other. I believe that offering children/students opportunities to explore their creativity and find their own voices is at the heart of childhood, and being a resource for educators in our area is a point of pride I can’t quite express adequately.

It’s also important to me that I reach new communities in Pittsburgh through our outreach efforts, and offer a collaborative platform for the countless non-profit organizations that make this city so vibrant, welcoming, and unique. Our audiences deserve the best experiences with the authors that join us, and our authors deserve the best of Pittsburgh as well. It’s exciting to be an ambassador for this city.

Tell us a bit about you–what are some of your favorite pastimes?

Honestly, I like a little bit of just about everything! I love traveling, listening to new music, I always have a book with me in my bag, and am equally as happy to watch a baseball game or the ballet. These days, you’ll find me writing, reading, learning French, being a Girl Scout mom, a tee ball coach, baking, doing crossword puzzles, gardening, performing, and producing short films. I like to keep busy!

The golden question: if you were stranded on a desert island and could only have three books, which would you bring?

Charlotte’s Web, The Shadow of the Wind, and probably a book of short stories by Salinger or Saroyan.

What are you currently reading?

Piglet by Lottie HazellPurple Hibiscus by Chimamanda Ngozi Adichie, and finally started Intermezzo by Sally Rooney!

From Storybook to Screen: 10 Magical Adaptations of Classic Children’s Books

By Media

The Alchemy of Adaptation

The marriage between literature and film has produced some of cinema’s most enduring masterpieces. While countless novels have made the journey from page to screen, only a select few have achieved that rare alchemy where the adaptation not only honors its source material but transcends it to become something uniquely cinematic. In this new series on our blog, The Alchemy of Adaptation, we will explore literature adaptations that didn’t just succeed—they redefined what it means to bring a beloved book to life on screen.


CLASSIC CHILDREN’S BOOKS ADAPTATIONS

There’s something uniquely challenging about adapting beloved children’s literature for the screen. These stories must navigate the delicate balance between honoring the innocence and wonder that captivated young readers while creating films sophisticated enough to enchant audiences of all ages. The best adaptations of children’s classics don’t just translate familiar stories; they preserve the magic that made us fall in love with reading in the first place.

Let’s explore ten remarkable adaptations that successfully brought childhood’s most treasured tales from page to screen, creating new generations of fans along the way.

1. The Secret Garden (1993)

Frances Hodgson Burnett’s 1911 novel about healing, friendship, and the transformative power of nature found its definitive screen adaptation in Agnieszka Holland’s 1993 film. The story of Mary Lennox, a spoiled girl who discovers a hidden garden and learns to care for something beyond herself, required a director who understood both the story’s emotional depth and its connection to the natural world.

Holland’s adaptation succeeds by treating the garden itself as a character. The film’s visual transformation from the grey, austere Misselthwaite Manor to the explosion of color when the garden blooms mirrors Mary’s own emotional journey. Kate Maberly’s performance as Mary captures the character’s evolution from a bitter, lonely child to someone capable of empathy and love.

Maggie Smith’s portrayal of the stern housekeeper Mrs. Medlock adds gravitas to the proceedings, while the film’s exploration of trauma and healing resonates with adult audiences. The adaptation works because it doesn’t shy away from the novel’s themes of loss and recovery, recognizing that children’s literature often explores profound emotional truths.

Honorable mention: It should also be said that the 1987 film adaptation is wonderful as well and happens to be the adaptation I grew up watching.  It features the legendary Derek Jacobi, a beyond-intimidating Billie Whitelaw as Mrs. Medlock, and a beautiful young Colin Firth as adult Colin. While some women were introduced to Colin Firth as he walked out of the water in Pride and Prejudice, I was equally smitten when I saw him—a uniform-clad young man who returns to their garden to find his love. Be still my beating 7-year-old heart.

2. Anne of Green Gables (1985)

Some adaptations become so definitive that they’re inseparable from the source material. Kevin Sullivan’s 1985 adaptation of L.M. Montgomery’s beloved novel achieved this rare status, with Megan Follows’ portrayal of Anne Shirley becoming the character for millions of viewers worldwide.

This Canadian production understood that Anne’s appeal lies in her irrepressible spirit and her ability to find beauty and adventure in everyday life. Follows captures Anne’s dramatic tendencies and her gift for storytelling, while Colleen Dewhurst and Richard Farnsworth bring depth and warmth to Marilla and Matthew Cuthbert.

The bucolic Prince Edward Island setting becomes a character itself, with the production taking full advantage of the island’s natural beauty to create Anne’s world. The film adheres to the novel’s episodic structure while crafting a cohesive and compelling narrative arc that follows Anne’s transformation from an unwanted orphan to a beloved daughter.

What makes this adaptation extraordinary is its understanding that Montgomery’s story is fundamentally about the power of imagination and the importance of finding where you belong. The film captures both Anne’s vulnerability and her strength, creating a character who feels both timeless and immediate.

3. Little Women (1994 & 2019)

Louisa May Alcott’s 1868 novel has been adapted numerous times, but Gillian Armstrong’s 1994 version struck a delicate balance between period authenticity and contemporary relevance. With Winona Ryder as the ambitious Jo March, the film captures the novel’s exploration of women’s roles and artistic ambition.

Armstrong’s direction emphasizes the novel’s themes of family loyalty, personal growth, and the tension between duty and desire. The film’s Civil War setting provides historical weight without overwhelming the intimate family story. The adaptation succeeds by understanding that Alcott’s novel is both a coming-of-age story and a meditation on what it means to be a woman with ambitions in a restrictive society.

Another incredible adaptation was written and directed by Greta Gerwig, featuring a heavy-hitting cast and a lush, vibrant visual scheme. Gerwig does not shy away from the busting-at-the-seams energy that many young people feel when ambition, capability, and imperfect humanity push up against the constraints of the world around them. An almost-muscular and visceral energy thrums throughout the film, leaving as much of a lasting impression on today’s audience as the book has on readers for generations.

4. A Little Princess (1995)

Alfonso Cuarón’s adaptation of Frances Hodgson Burnett’s 1905 novel demonstrates how a skilled director can bring fresh vision to familiar material. The story of Sara Crewe, a wealthy girl who must adapt to poverty and hardship, becomes a meditation on storytelling, resilience, and the power of imagination.

Cuarón’s visual style blends realism with fairy tale elements, using Sara’s storytelling abilities to create magical sequences that feel both fantastical and emotionally authentic. A young Liesel Matthews delivers a remarkable performance as Sara, capturing both her privileged innocence and her inner strength.

The film’s boarding school setting becomes a microcosm of society, with clear divisions between the wealthy and the poor. The adaptation works because it takes Sara’s belief in magic seriously while grounding the story in genuine emotion and character development. Cuarón understands that the “magic” in Sara’s stories reflects real human resilience and compassion.

5. Charlotte’s Web (1973)

E.B. White’s 1952 novel about friendship between a pig and a spider could have easily become overly sentimental, but the 1973 animated adaptation directed by Charles A. Nichols and Iwao Takamoto captures the story’s gentle wisdom and emotional depth.

Debbie Reynolds’s voice work as Charlotte brings warmth and intelligence to the character, while the film’s simple animation style serves the story’s pastoral setting. The adaptation doesn’t shy away from the novel’s themes of mortality and the cycle of life, making Charlotte’s death genuinely moving rather than manipulative.

The film succeeds by maintaining White’s tone—warm but not saccharine, simple but not simplistic. It understands that children can handle complex emotions and profound themes when they’re presented with honesty and care.

6. Where the Red Fern Grows (1974)

Wilson Rawls’s 1961 novel about a boy and his hunting dogs required an adaptation that could capture both the adventure and the emotional weight of the story. Norman Tokar’s 1974 film succeeds by taking the story’s rural setting and hunting culture seriously while focusing on the bond between Billy and his dogs.

The cinematography brings the Ozark Mountains to life, creating a rich sense of place that’s essential to the story. The film doesn’t sentimentalize the relationship between boy and dogs—it shows the hard work, dedication, and genuine love that creates such bonds.

The film’s climax, involving the dogs’ fate, is handled with the same emotional honesty as the novel, creating a powerful statement about loyalty, sacrifice, and the pain of growing up. (Author’s Note: I remember reading this book in elementary school and absolutely weeping after Old Dan dies…a formative reading experience, to say the least!)

7. The Black Stallion (1979)

Walter Farley’s 1941 novel about a boy and a wild horse became a cinematic masterpiece in the hands of director Carroll Ballard. The film’s minimal dialogue and stunning cinematography create a meditative experience that captures the primal connection between human and horse.

The film’s first half follows Alec and the stallion’s survival on a desert island, unfolding with almost documentary-like realism. Mickey Rooney’s performance as the old trainer adds depth to the story’s second half, while Kelly Reno’s natural performance as Alec creates a believable young protagonist.

This adaptation succeeds because it inherently understands that Farley’s story is fundamentally about the mysterious bond between humans and animals, playing with a kind of visual poetry to serve this emotionally powerful theme.

8. The NeverEnding Story (1984)

Michael Ende’s 1979 novel about a boy who becomes part of the story he’s reading presented unique challenges for adaptation. Wolfgang Petersen’s film creates a compelling fantasy world while maintaining the story’s meta-fictional elements about the power of storytelling and imagination.

The film’s practical effects and creature design create a world that feels both alien and familiar. The story-within-a-story structure allows the film to explore themes about the importance of stories and imagination in our lives.

This adaptation works so well because it takes both the fantasy elements and the real-world frame story seriously, showing how stories can literally save lives, be they fictional or real.

9. Matilda (1996)

Roald Dahl’s 1988 novel about a gifted girl with telekinetic powers found perfect expression in Danny DeVito’s 1996 adaptation. The film captures Dahl’s subversive humor and his sympathy for children who must deal with awful adults.

Mara Wilson’s performance as Matilda creates a character who’s both incredibly intelligent and genuinely childlike. The film’s exaggerated visual style aligns with Dahl’s storytelling approach, while the telekinetic elements support the story’s themes of standing up to bullies and fighting for what is right.

The adaptation succeeds by maintaining Dahl’s anarchic spirit while creating genuine moments of warmth and connection, particularly in Matilda’s relationship with Miss Honey.

10. Paddington (2014 & 2017)

Michael Bond’s beloved bear from darkest Peru made his cinematic debut in Paddington (2014), directed by Paul King, with a sequel that many consider one of the rare examples of a follow-up surpassing the original. Both films pull off the miraculous feat of updating Paddington’s old-fashioned charm without losing an ounce of sincerity or warmth.

Voiced with gentle wit by Ben Whishaw, Paddington becomes an emblem of kindness, curiosity, and immigrant resilience. The films’ whimsical visual style, clever physical comedy, and meticulously crafted sets echo the storybook aesthetic while offering sharp commentary on belonging and community.

Crucially, the Paddington films never mock their source material—they elevate it. They understand that honoring a children’s classic means embracing earnestness in a world often allergic to it. In doing so, they remind audiences—young and old—that politeness, marmalade, and a well-meaning heart can go a long way.

The Enduring Magic of Childhood Stories

Children’s literature offers some of the richest material for filmmakers willing to take young audiences seriously. The best adaptations understand that children’s stories often deal with profound themes—loss, growth, courage, friendship, and the power of imagination—and that young viewers are capable of engaging with complex emotions and ideas. They don’t talk down to children or oversimplify themes. Instead, they create cinematic experiences that capture the wonder and wisdom that make children’s literature so enduring, proving that children’s stories are really stories for everyone.

These films don’t just adapt beloved books; they preserve the magic of childhood reading while creating new magic for the screen. They remind us why we fell in love with stories in the first place and ensure that future generations will continue to discover the transformative power of great storytelling, whether on the page or on the screen.

Written by Christine Weber Rivera

Meet the Team: Charlie Legere

By Staff

Meet Charlie Legere, our Development Manager

If you’ve been with us this past season, you may have noticed a slew of new faces joining our team at Pittsburgh Arts & Lectures! This summer, we are so excited to introduce you to each of our new staff members in a series called “Meet the Team”, starting with Charlie Legere.

Charlie is our fantastic new Development Manager, leading the charge on everything from grants to sponsorships to donations from patrons like you. You’ve seen him around at our events, but let’s get to know him a bit better, shall we?

Can you tell us a bit more about your career prior to joining Pittsburgh Arts & Lectures?

I have a PhD in English from Berkeley and was training to be an academic, then I moved to Pittsburgh for a Postdoc, and loved it here. I decided that my desire for living in a place I wanted to live outweighed my desire to work in academia, and I shifted careers. As a grant writer and then fundraiser, I worked at Carnegie Museums, Riverlife, and then as a freelancer. One rewarding project I got to work on was a successful $40m grant proposal to preserve historic Black churches, with the African American Cultural Heritage Action Fund.

What drew you to work with PA&L?

I’ve raised funds for art exhibitions, science, environmental causes, historic preservation, accessibility, capital projects—a lot of projects that have been rewarding because I’ve gotten to dig deep into a topic, then make a vision into reality. However, I ran a poetry reading series at Berkeley, and I write, and I always wanted to be able to use my skills to do something with literature. That’s what attracted me to Pittsburgh Arts & Lectures!

Do you have a wish list of what you hope to accomplish in this role with us?

Pittsburgh Arts & Lectures has a base of subscribers, some of whom have been attending our events for decades, and a culture of engagement with books and ideas that’s grown from that. Our audience and community are extraordinary. In my role I want to assure its continuity, and expand it to new audiences.

Tell us a bit about you–what are some of your favorite pastimes?

I walk, birdwatch, forage, and identify wildflowers. I’m translating a book of poems for children by a French poet named Jacques Roubaud, and I write poetry. From March until October, I listen to the radio broadcast of every Red Sox game.

And, I’d be remiss if I didn’t ask: if you were stranded on a desert island and could only have three books, which would you bring?

Moby Dick, Robinson Crusoe, Wallace Stevens’ poems. All topical!

What are you currently reading?

I was reading the Slovenian poet Tomaž Šalamun’s poems one night, and the next day, I had this uncanny moment… I was parking my car and the car parked in front of me had a bumper sticker that said: “TOMAŽ ŠALAMUN.”